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Motion pictures and literature --- Cinematography --- Philosophy
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French poetry --- Motion pictures and literature --- Motion pictures in literature. --- French poetry. --- Motion pictures and literature. --- History and criticism --- History --- 1900-1999. --- France.
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Viel, Tanguy. --- Sleuth (Motion picture) --- Motion pictures and literature --- Cinéma et littérature --- Cinéma et littérature
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Eric T. Kasper is assistant professor of political science at the University of Wisconsin-Eau Claire.
Troy A. Kozma is associate professor of philosophy for the University of Wisconsin Colleges.
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Etudes sur l'ouverture aux langues étrangères et à l'argot de la littérature et du cinéma français et aux métissages linguistiques dans les oeuvres contemporaines. ©Electre 2015
French literature --- French language --- Motion pictures and literature --- Littérature française --- Français (Langue) --- Cinéma et littérature --- History and criticism --- Variation --- Histoire et critique --- Variation
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Aesthetics. --- Friendship. --- Intermediality. --- Intermediality. --- Literary style. --- Motion pictures and literature. --- Motion pictures and literature. --- Handke, Peter --- Handke, Peter --- Handke, Peter --- Handke, Peter --- Handke, Peter. --- Wenders, Wim --- Wenders, Wim --- Wenders, Wim --- Wenders, Wim. --- Aesthetics. --- Criticism and interpretation. --- Friends and associates. --- Literary style. --- Aesthetics. --- Criticism and interpretation. --- Friends and associates. --- Himmel über Berlin (Motion picture). --- Himmel über Berlin (Motion picture).
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Une analyse des rapports entre le poète et le cinéma. Elle relève l'activité critique de L. Aragon mais surtout l'influence du septième art sur son oeuvre. ©Electre 2016
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Word and Image invokes and honors the scholarly contributions of Gary Marker. Twenty scholars from Russia, the United Kingdom, Italy, Ukraine and the United States examine some of the main themes of Marker's scholarship on Russia-literacy, education, and printing; gender and politics; the importance of visual sources for historical study; and the intersections of religious and political discourse in Imperial Russia. A biography of Marker, a survey of his scholarship, and a list of his publications complete the volume. Contributors: Valerie Kivelson, Giovanna Brogi (University of Milan), Christine Ruane (University of Tulsa), Elena Smilianskaia (Moscow), Daniela Steila (University of Turin), Nancy Kollmann (Stanford University), Daniel H. Kaiser (Grinnell College), Maria di Salvo (University of Milan), Cynthia Whittaker (City Univ. of New York), Simon Dixon (University of London), Evgenii Anisimov (St. Petersburg), Alexander Kamenskii (Higher School of Economics, Moscow), Janet Hartley (London School of Economics), Olga Kosheleva (Moscow State University), Maksim Yaremenko (Kyiv), Patrick O'Meara (University of Durham), Roger Bartlett (London), Joseph Bradley (University of Tulsa), Robert Weinberg (Swarthmore College)
Russian literature --- Literature and photography. --- Motion pictures and literature. --- History and criticism. --- Marker, Gary, --- Literature and motion pictures --- Moving-pictures and literature --- Photography and literature --- Literature --- Photography --- Russia --- Russia (Federation) --- History. --- History
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Das Gegenwartsdrama gehört zu jenen Textgattungen, die im Deutschunterricht so gut wie keine Beachtung finden - obwohl eine Beschäftigung mit dem Drama der Gegenwart zur allseits geforderten Medienkompetenzvermittlung beitragen könnte. Christian Steltz stellt sich dieser literaturdidaktischen Aufgabe und arbeitet zugleich die Konkurrenzsituation von Theater und Film, die das Gegenwartsdrama entscheidend prägt, an charakteristischen Beispielen heraus. So werden theatrale Filme (»Dogville«, »Kill Bill«), filmische Theaterstücke (von Düffel, Gieselmann) sowie innovativ-theatrale Texte (Staffels »Werther in New York«, Polleschs »Heidi Hoh arbeitet hier nicht mehr«) aus der Perspektive der Intermedialität diskutiert. Besprochen in: Die Deutsche Bühne, 10 (2010) GERMANISTIK, 51/3-4 (2010)
Motion pictures and literature --- Motion pictures --- German drama --- Intermediality --- Intertextuality --- Media literacy --- History --- History and criticism --- Motion pictures and literature. --- Intermediality. --- Intertextuality. --- Drama. --- Intermedialität. --- Deutschunterricht. --- Medienpädagogik. --- Deutsch. --- German drama. --- Media literacy. --- Motion pictures. --- Theater. --- Film. --- History and criticism. --- 1900-1999. --- Germany. --- Mass media literacy --- Information literacy --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Film; Gegenwartsliteratur; Didaktik; Deutschunterricht; Intermedialität; Postdrama; Theater; Bildung; Theaterwissenschaft; Medienpädagogik; Theaterpädagogik; Theatre; Education; Theatre Studies; Media Education; Theatre Pedagogy --- Motion pictures - History - 20th century --- German drama - 20th century - History and criticism --- Media literacy - Germany --- Education. --- Media Education. --- Theatre Pedagogy. --- Theatre Studies. --- Theatre.
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From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.
Film --- English literature --- anno 2000-2009 --- anno 1900-1999 --- anno 1800-1899 --- anno 2010-2019 --- PERFORMING ARTS / Film & Video / History & Criticism. --- LITERARY CRITICISM / General. --- Littérature britannique --- Littérature britannique --- Motion pictures and literature --- British literature --- Film adaptations. --- Motion pictures and literature. --- Motion pictures --- Cinéma et littérature --- Adaptations cinématographiques --- Cinéma --- Film adaptations --- History. --- Histoire --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- Literature and motion pictures --- Moving-pictures and literature --- History --- History and criticism --- Adaptations
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